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Adolphe Valette and L.S. Lowry are two of the most significant figures in British art, their names forever linked through the mentor-student relationship that helped shape the course of 20th-century Northern art. Valette, a French Impressionist painter who brought his atmospheric style to Manchester, became integral in influencing Lowry’s artistic vision.
Lowry, best known for his industrial landscapes and distinctive figures, found early artistic direction under Valette’s tutelage at the Manchester School of Art. While their styles ultimately diverged, the impact of Valette’s Impressionist techniques and compositional approach remained deeply embedded in Lowry’s work.
This article explores the connection between these two artists, examining how Valette’s teachings helped shape Lowry’s approach to painting and the lasting impact of their artistic relationship.
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'ONE OF THE MOST PROMINENT ARTISTS IN THE NORTH, NORMAN LONG'S PAINTINGS ARE AN EXERCISE IN BALANCE. ADAPTING VISUAL STIMULUS TO CREATE A NARRATIVE IN COLOUR AND LIGHT, LONG'S WORK CONSTANTLY CHANGES AND MOVES - PAINT APPLICATION IS NEVER STATIC AS FORMS EMERGE FROM THE LIGHT'
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ALEX REUBEN
Prior to his solo show 'Emerging into the Light' at Contemporary Six, Norman Long answered some questions for us.
